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Universal Stranger

~ on Alienation, Being and Belonging

Universal Stranger

Monthly Archives: April 2021

The Resurrection and the Alienation Theory of History

11 Sunday Apr 2021

Posted by The Stranger in Correspondence

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Dear Lizard – I’ve just read your post, in which you describe the resurrection of Christ as an anti-climax. I understand that you meant this as being in comparison to the resurrection, through Christ, of the human spirit in life. Even so, your comment prompted me to think about the Resurrection’s symbolic (as distinct from theological) importance and power. It could be said to represent a disruption of space and time. I am intrigued by the possibility that, in literature, the confusion, compression, inversion or any other form of distortion of space and time may stand as a proxy, conscious or otherwise, for the ability of the creative consciousness to cut across linear thinking in its search for truth. On this reading, it’s as though the Gospel accounts of the Resurrection are telling us, “If you want to understand this, you have to think creatively”. That is, look for the truth outside history, or the external pattern of events. This, to me, seems to be consistent with the Alienation Theory of History[1], in which we are invited to look back over time to arrive at an understanding of (or a version of) the human condition in which the inherent instability of the human personality is attributed to the asymmetry between humanity’s sense of primal connection to the land (or natural environment) and its actual, modern relationship to it—an interpretation which, I believe, can be supported by reference to the Eden myth and the Epic of Gilgamesh. According to this line of thinking, our primal connection to the land lives on in our DNA and—either as a result of this, or analogous to it—God is present in our consciousness in a real, evolutionary, sense, rather than as just a ghostly celestial spirit. To my way of thinking, this idea has a redemptive power of its own.

Caveat: Nobody owns the truth, but each of us can lay claim to some version of the truth as we see it, providing we see it to the best of our honesty and ability.

Best,

Stranger


[1] A component of the Esse “world view”.

Handel’s Messiah, a bird and the anti-climax of the Resurrection

01 Thursday Apr 2021

Posted by Departure Lounge Lizard in Heritage

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On Sunday (28.3.21) went to see an amateur (local church) choir perform Messiah. Let’s just say the music shone through. When I was a child, it left me cold: all those twiddly bits. As I’ve matured, I’ve come to enjoy baroque music, if not fully to understand or appreciate it. Even so, it took an effort of historical imagination, while listening to the choir, to reconcile (to my satisfaction, at least) the exuberance of the music to the weight of the subject matter.

Handel: twiddly bits

I am, as usual, speculating from a position of ignorance, but it seems plausible to me that most 18th century listeners would not have noticed any incongruity. Handel and Jennens were men of faith writing in an age of faith: their composition was not an exploration of the human condition but a celebration of it, as redeemed through Christ. There’s no psychological dimension to the music, no exploration of human existential anxiety, because, in terms of the composer’s and librettist’s own cultural assumptions, such issues had already been resolved. This leaves the music free to explore its own possibilities, its autonomy lending no direct support to the weight or meaning of the words—which, in any case, are carried by a power of their own.

Jennens: weighty subject matter

And yet there is a sense in which the words and music do complement each other, if you can accept the (fanciful, or perhaps baroque?) idea that the music’s autonomy symbolizes the freedom that Christ’s sacrifice bought for humanity. It’s an idea that begs to be synthesized by an image: I think of a bird flying into a temple, darting hither and thither in the incense-infused half-light, singing freely over the sombre ritual below.

No, I don’t take the Bible literally, but I do try to relate to it in human terms. One consequence is that the Resurrection always strikes me as something of an anti-climax: Christ is never more fully alive in the Gospels than when he’s at the point of death. Yes, I understand the theological importance of the Resurrection and the idea that it gives us hope for eternal life. After Christ’s terrible suffering, however, it’s a gift I’m almost embarrassed to accept. More importantly, it eclipses what, for me, is Christ’s true gift: the possibility of resurrection in life. More than once the idea of an infinitely renewable relationship—God’s unconditional love, and our ability to receive it through repentance as a result of Christ’s sacrifice—has pulled me back from the edge.

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